If you’ve been following my (rather sparse) posts lately, you already know that I’m an exhibitor in this year’s One of a Kind Show and Sale. I’m pretty excited about this, it’s the largest craft & artisan show I’ve ever participated in, and it’s right here in Toronto! As well as my enthusiasm I’m also a bit nervous, especially in the last minute tasks leading up to the official opening. In reality though, I’m pretty well on schedule and organized.
This is pretty good for me.
No last-minute rushing around frantically. No middle-of-the-night realizations that I forgot to, gasp, order business cards or bring a chair or something like that. Nope, I’m organized and on schedule. That is, until I got my eureka idea for the perfect series of books to bind, last minute of course!
My creative side took charge and the schedule changed! I was no longer on schedule. But now as I finish up these new additions, I have a new plan, and I’ll leave you with some photos of what you can expect to see at my booth (K20G in the Etsy section).
Lots of new designs and variations on some classic bindings.
I’m pleased with how everything has turned out and how the collection as a whole feels connected through materials, colour and transition.
I drew on the changing of seasons for inspiration; winter to spring, bleak to bright, cozy to light, old to new.
I think the growth of this transition is visible across the table, and I couldn’t be more delighted!
If you plan to attend the show and don’t have tickets, click here to get a discounted ticket! I’ll be in the Etsy section at booth K20G. The show runs from March 26 – 30 and if you have any further questions, please visit the show website here.
Hope to see you there!

I won’t go into the story of why I chose to name my artistic practice after the mighty sprout and its incredible journey. Instead, I’d like to tell how it has re-united me with an old friend. (If you like, take a look at my 
After mentioning to them that I used to print on Vandercook press, and how much I loved it and how great it would be to print my 115 prints with something different than the back of a wooden spoon, it was decided that I could print on their press! So, this is how it happened, how I was re-united with printing on a press, with oil based inks, in someone else’s studio, by the mighty sprout. I drew my image, cut the lino block and printed it in a lovely leaf-green on light grey stock. 


